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"I was inspired to make a sculpture and studied many other logs, but I realized that I was only interested in this particular one."

I love this line of wall card next to a sculpture at the museum:

That line made me ? and, independently, Meade ? think of the way the Little Prince felt about the rose he loved. Eventually, the Prince encounters a garden of roses:

"You're lovely, but you're empty," he went on. "One couldn't die for you. Of course an ordinary passerby would think my rose looked just like you. But my rose, all on her own, is more important than you altogether, since she's the one I've watered. Since she's the one I put under glass. Since she's the one I sheltered behind a screen. Since she's the one for whom I killed the caterpillars (except for two or three for butterflies). Since's she the one I listened to when she complained, or when she boasted, or even sometimes when she said nothing at all. Since she's my rose."

Here's the sculpture that was made out of the loved log:

"Hinoki," by Charles Ray is actually one of my favorite things in the Modern Wing of the Chicago Institute of Art. I've criticized the writings on the wall at the museum. I dread these explanations of art, but I loved Ray's essay, which you can read in full here. The man found and fell in love with a log, but the log was about to rot, so he got big cypress tree and got it carved into a replica of the log:

"With several friends, I transported the tree, cut apart by a chainsaw, back to my Los Angeles studio. Silicone molds were taken and a fiberglass version of the log was reconstructed. This was sent to Osaka, Japan, where master woodworker Yuboku Mukoyoshi and his apprentices carved my vision into reality using Japanese cypress (hinoki).... When I asked Mr. Mukoyoshi about the wood and how it would behave over time, he told me that the wood would be fine for 400 years and then it would go into a crisis; after two hundred years of splitting and cracking, it would go into slow decline for another 400 years. I realized then that the wood, like the original log, had a life of its own, and I was finally able to let my project go and hopefully breathe life into the world that surrounds it."

Full post as published by Althouse on February 20, 2010 (boomark / email).